Selected publications in the field of stained-glass research:

Natalia Oleszczuk, Sławomir Oleszczuk, Witraże katedry wrocławskiej, in: Tradycja i współczesność. Sztuka witrażowa po 1945 roku, ed. Beata Fekecz-Tomaszewska, Magda Ławicka, Kraków–Legnica 2017, p. 135–148.

Erhard Drachenberg, Sławomir Oleszczuk, Manfred Torge, Erhaltung historischer Glasmalerien in Niderschlesien (Dolny Śląsk) und Kujawien (Kujawy). Eine deutsch-polnische Zusammenarbeit, s. 305-318, in: Kulturerbe verplichtet. Zehn Jahre Deutsch-Polnische Stiftung Kulturpflege und Denkmalschutz (2007-2017), ed. Guido Hinterkeuser, Berlin 2017.

Natalia Oleszczuk, Sławomir Oleszczuk, Współczesne witraże w katedrze wrocławskiej, p. 349-359, in: Katedra Wrocławska na przestrzeni tysiąclecia, studia z historii architektury i sztuki, ed. Romuald Kaczmarek, Dariusz Galewski, Wrocław 2016.

Sławomir Oleszczuk, Uzupełnienia w zabytkowych witrażach, „Świat Szkła", 2007, nr 2, p. 45–50.​

Sławomir Oleszczuk, Oszklenia ochronne zabytkowych witraży – na przykładzie kaplicy św. Anny na Zamku Wysokim w Malborku oraz kościoła śś. Aniołów Stróżów w Wałbrzychu, in: Witraże na Śląsku. Materiały sesji Górnośląskiego Oddziału SHS, Chorzów 2001, ed. Teresa Dudek-Bujarek, Katowice 2002, p. 143–151.

Sławomir Oleszczuk, Uwagi o konserwacji witraży wykonanych przez pracownię Franza Lauterbacha dla kaplicy św. Anny i Infirmerii na Zamku w Malborku, in: Preaterita posteritati. Studia z historii sztuki i kultury ofiarowane Maciejowi Kilarskiemu, ed. Mariusz Mierzwiński, Malbork 2001, p. 305–308.

Elżbieta Gajewska-Prorok, Sławomir Oleszczuk, Witraże na Śląsku. XIX i pierwsza połowa XX wieku. Glasmalereien in Schlesien. 19. und erste Hälfte 20. Jahrhundert, Leipzig 2001.

Sławomir Oleszczuk, Polskie Centrum Witraży we Wrocławiu, „Ochrona zabytków" 43, 1990, nr 3 (170).

Sławomir Oleszczuk, Polskie Centrum Witraży we Wrocławiu, „Spotkania z Zabytkami" 14, 1990, s. 51–52.

Most important works in the field of conservation and restoration of stained glass:

• 2018 Koszewko, conservation of medieval heraldic stained-glass windows and of 18^th-century historic stained-glass windows, commissioned by the German-Polish Foundation for the Protection of Culture.

• 2017 Karkonosze Museum in Jelenia Góra, conservation of the collection of stained-glass windows (from the 17^th to the beginning of the 20^th century; 51 panels).

• 2016 Toruń, conservation of a medieval stained-glass window from the cathedral, commissioned by the German-Polish Foundation for the Protection of Culture.

• 2015 Włocławek, conservation of a medieval figural stained-glass window from the cathedral, commissioned by the German-Polish Foundation for the Protection of Culture.

• 2015 Poznań, conservation of historic stained-glass windows from the 16^th to the 19^th centuries in the collection of the National Museum in Poznań.

• 2014 Jawor, Church of Peace, conservation of stained glass in three eastern windows, commissioned by the German-Polish Foundation for the Protection of Culture.

• 2014 National Museum in Poznań, branch in Rogalin, reconstruction of stained-glass windows of three windows of the armoury, conservation of the Carps stained-glass window by L.C. Tiffany.

• 2013 Ścinawka Dolna near Kłodzko, conservation of six windows with figural stained glass, commissioned by the German-Polish Foundation for the Protection of Culture.

• 2013 Wrocław, conservation of 86 historic stained-glass panels in the collection of the National Museum in Wrocław, dating from the Middle Ages to the beginning of the 20^th century, awarded by the Ministry of Culture and National Heritage for conservation with the "Sibyl 2013" prize.

• 1998–2013 the church of the Guardian Angels in Wałbrzych, coordinated by the CVMA Taskforce for Stained Glass from Potsdam, and from 2013 by the German-Polish Foundation for the Protection of Cultural Monuments (Deutsch-Polnische Stiftung Kulturpflege und Denkmalschutz – DPS), Görlitz.

• 1995–2012 Castle Museum in Malbork, conservation and reconstruction of stained-glass windows (in the chapter house, infirmary, chapel of St Anne at the Upper Castle), conservation and arrangement of the permanent stained glass exhibition from 1884–1893 from the church of the Blessed Virgin Mary at the Upper Castle.

• 1995–2020 Museum of Nicolaus Copernicus in Frombork, conservation of 19^th-century stained glass from the cathedral of Frombork and the surrounding area (75 window panels), partly presented in the permanent exhibition.

• 1990–2012 National Museum in Krakow, conservation of medieval stained glass (2 panels with the Annunciation scene and a fragment of a tracery from St Mary’s Church in Krakow), conservation of modern stained glass (3 panels) and of a glass altarpiece from Biecz (16^th century), conservation of a design for a stained-glass window Vita Somnium Breve by Józef Mehoffer.

• 2006 parish church in Klebark Wielki near Olsztyn, conservation of historic figural stained glass (85 m2).

• 1998 City hall in Chorzów, conservation of modernist stained-glass windows designed by Jan Piasecki in the meeting room (41 m2).

• 1991–2018 Museum of Architecture in Wrocław, conservation of medieval, modern and 19^th-century stained glass (40 panels).

• 1993–1995 collaboration in the conservation of medieval stained-glass panels from St Mary’s Basilica and Corpus Christi church in Krakow.